your ageism open friday thread

by liberal japonicus I found this article incredibly interesting, but had to laugh when I read this In an unusual collaboration, this year the team brought along an ancient DNA expert to sample for ancient pathogens. As always, topics other than dissing elderly experts on DNA are always welcome.  

The Long Winter

by Doctor Science (who can’t seem to log in the usual way via Blogger, goshdurnit)

The polar vortex many Usans are experiencing reminds me of one of my favorite, formative books, The Long Winter by Laura Ingalls Wilder. I read the whole Little House series many times while I was growing up, and read it aloud twice, once for each Sprog, while *they* were growing up. I love the whole series, but The Long Winter was always my favorite.

In recent years, I’ve learned that the Little House books are considered libertarian manifestos, supposedly shaped by LIW’s daughter Rose Wilder Lane to show the Ingalls family as icons of self-reliance. This boggles me, because when you actually read the Little House books carefully — reading them aloud, for instance — you can’t help noticing that Laura’s family was *never* self-reliant. They always depended on store-bought food, especially cornmeal, flour, and salt pork, and they got their land through the government’s Homestead Act. One of their watchwords was “Free and Independent” — but that was an aspiration (or a comforting platitude), not an accurate description of their lives.

The Long Winter, in particular, is about how individual self-reliance isn’t enough. As a friend pointed out to me, it’s essentially a post-apocalyptic story, about how people stay alive after the failure of a critical technology. In this case the technology is the railroad: when the train can’t run, it cuts off the town of DeSmet, Dakota Territory, from its food supply — because they were not self-reliant or independent.

Train_stuck_in_snow

Apocalyptic technology failure: train stuck in the snow, Minnesota, March 1881.

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Return of the Sexuality of Christ

by Doctor Science

I was pleased to see Lee Siegal’s article in the New Yorker, Pope Francis and the Naked Christ, because it’s about one of my favorite books: Leo Steinberg’s The Sexuality of Christ in Renaissance Art and in Modern Oblivion. Coincidentally, one of my holiday presents the year was a copy of the second edition — my copy of the first seems to have gone walkabout, and I’ve wanted to read Steinberg’s expansion for many years.

I read the first edition (published in 1983) some time in the late 80s, IIRC, and was an instant fan. In a nutshell, Steinberg’s thesis is that Renaissance artists created images of Christ’s Infancy, Baptism, and Crucifixion that focused attention on his penis. They did this to demonstrate the completeness of Christ’s Incarnation: that He became a human man in every respect, even those that to us fallen mortals seem shameful.

I gather that many art historians and other readers were shocked and resistant to Steinberg’s argument, but my reaction was a relieved, “Aha! Explained at last! It wasn’t just me!” Steinberg was discussing something that had been bothering me for decades — since I was 8 years old, in fact.

Cut for images of Great Art of the Western World that may not be safe for your work and/or eyeballs, and for anatomical terminology.

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Your donkey meat open friday thread

by liberal japonicus This BBC story, about contaminated donkey meat in China, ends with this quote: The chief executive of Wal-Mart's Chinese operations, Greg Foran, said: "It is a deep lesson (for us) that we need to continue to increase investment in supplier management." Ya think?

The Case of the Perry Mason Genres

by Doctor Science

Atlantic reporter Alexis Madrigal wondered how Netflix comes up with their weirdly specific genres, so he (with the help of Atlantic contributor Ian Bogost) reverse-engineered Netflix’s classification system, and how its 76,897 (!!) genres are put together.

Along the way, they discovered a strange pattern in the data: the footsteps of [dum dum dum dum-dum] Perry Mason. Madrigal thinks it’s a glitch, a ghost in the machine, but I propose to connect all this up, Your Honor.
 
Direct YouTube Link

A modern re-mix of the “Perry Mason” musical theme. Yes, the title sequences really were that slow-moving, not to say ponderous. But the pacing of the actual scenes isn’t too bad, and all the actors can actually *act*.

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Beginning anew-ish

by Doctor Science Happy New Year! Wij komen er uit! by M. C. Escher. I’m not sure if it’s a bookplate, a New Year’s card for 1947, or both. The caption means “We’re getting out!” and obviously refers to recovery from WWII. There have been a bunch of changes for me in the past couple … Read more