by Doctor Science
I never saw Breaking Bad — it’s really not my kind of thing, too morally dark and too realistic (no dragons, no spaceships) — but I could hardly avoid being aware of it. This was especially the case as it built to the finale in September 2013.
The reaction to the “Breaking Bad” finale on my social media sites (Tumblr, Livejournal/Dreamwidth, Facebook), both while it was airing and immediately afterward, was: “I’m weeping for the characters. What a great, satisfying ending.” As I saw viewers’ reactions, it was clear to me: “Breaking Bad” is tragedy in the classical sense. It depicts a person of noble character (in Walter White’s case, a man of intelligence and talent) overthrown by fate and their own flaws, evoking emotions of pity and terror, and leading the audience to a feeling of catharsis.
No wonder “Breaking Bad” is held in such high critical esteem: tragedy is still the most prestigious of genres, in Western drama, and the tragic sequence of emotions is still our standard for Most Important Art.